We've so far found it can deliver mainly for patterned subjects (diagonals work best), at close range and in well lit scenes - ideally all of these together, but at least a subset of them - think a studio test chart. The 108MP 'native' resolution of the main cam's sensor can be put to use in some instances. An ever so slightly contrastier tone curve means it'll leave a few more pixels in the shadows black, but dynamic range is nothing short of excellent on both Ultras. The Note Ultra exposes a smidgeon brighter than the S Ultra (in its current state, some 6 months after release) producing livelier midtones, particularly noticeable in greenery. What's not changed is the near total absence of noise in these photos - Samsung is in a league of its own when it comes to noise reduction. To be fair, such is the case with the S20 Ultra, as shot with its present-day software. ![]() Samsung's typical overprocessed and oversharpened rendition of random textures like grass has been toned down significantly and the Note20 Ultra draws these in a more natural way now. ![]() It's most easily characterized by the colors - almost universally appealing, with a bit of warmth and saturation added to the not so enthusiastic real world's rendition. ![]() The Galaxy Note20 Ultra's photos have what can best be described as 'that Samsung look'.
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